I'm going to post the pictures of my notes, therefore these notes will just be general notes about the story as a whole that are more complicated than inline notes.
- There seems to be a running theme of virtuous women being baren in these stories. Although Bertha isn't exactly virtuous, she is naive, which implies innocence. Another difference is that Bertha is the object of the title character's affections, while the barren woman in "The Myrtle Girl" was the mother figure.
- Speaking of the object... the title of the story is named for the male. However, most of the story consists of Bertha's narrative. Actually, the whole story is Bertha's not Eckbert. Eckbert seems to be happenstanced upon. The fact that Bertha is the object of Eckbert's affections automatically places her into a particular archetype.
- Don't even get me started on the fact that he believes that her story is his to reveal. He takes on the burden of "the darkest corners of his soul" when it's Bertha's secret. Not to mention all the "ours" on p.28. This could be a reference to the fact that Bertha is his sister and he seems to know that they're committing incest, but it could also be a requisition of her agency. Even on her death bed, she defers to him for an explanation of events.
- Night seems to represent change. In order:
- Bertha's narrative is at night. Leads to the events of the story after her retelling and all the chaos that ensues.
- When Bertha decides to leave her abusive family, it is at night.
- When Bertha prays (19) at night, the old lady appears to rescue her.
- Bertha goes to sleep at the old ladies, hears the birds and nature, and has a home.
- Her first night away from the witch she dreams of the witch threatening her; foreshadow.
- Eckbert begins to question Hugo at night,
- Weird thing... ( I honestly don't know what to think of it) ... the scene where she chokes the bird to death is marked with a lot of phallic energy. Maybe it represents the fear of sexuality and sex? She marries Eckbert not much later...
- I probably won't write about this in the paper because it has nothing to do with women and sex... but Hugo and Eckbert were totally gay, right?
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